Speaking via video link from her London kitchen on the 60th anniversary of The Parent Trap, 75-year-old Mills is still a sparkling storyteller. he was really a great boss who loved actors, loved the whole creative process.” So perhaps it was slightly slanted towards a positive attitude. “Walt himself said he wanted to focus on the best in human beings. “The world of Disney was idealised,” she says. Today she’s more equanimous about her films. I wasn’t supposed to be seen drinking or buying cigarettes or smoking in public.” So goody-good, you know? And there was this image I created which was hideous. As she once told a journalist: “ very restricting. To maintain this illusion, Mills was given a list of rules she had to follow off-set. “But, I don’t know, somehow the characters didn’t quite grow up at the same speed, or in the same way as I did.” “The plan was for each part to be appropriate for the age I was at,” she says. But she can’t help allowing a note of frustration to creep into her voice when talking about the roles she was given as part of her five-year deal. She recalled the jangle of his wife Lillian’s bracelet, to which a tiny gold replica of an Oscar was added each time the company won an Academy award.īut she also visited the company’s archives, and there, according to publishers of her imminent memoir, Forever Young, she found letters and other papers detailing how the star of Tiger Bay, Pollyanna (for which she won an Oscar) and The Parent Trap, had been discouraged from “growing up”.Įxactly what form this discouragement took, she won’t say – she wants to save the revelations for the launch of the book in September. She remembered playing with “wonderful Walt’s” puppy in his office. Mills’s trip down memory lane provoked mixed emotions. And the little kitchenette in there that I had loved as a child, where they’d put all the original things from the 1960s: the Cheerio packets and Coca-Cola bottles…” “They had recreated Walt Disney’s office, right down to the scribbled notes and the paperclips on ashtrays. Shortly before the pandemic, the most bankable child star of the 1960s went back to visit the Disney studios where her Hollywood career began.
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